„The Éthiopiques series is known for high-energy pop, brass bands and jazzy instrumentals—dance music for swingin’ Addis Ababa. But the 21st volume acts like a nightcap after a night out on the town. Playing solo piano, Tsegué-Maryam Guèbrou works through 16 delicate compositions that sound like a somber Claude Debussy interpreting Ethiopian music: pentatonic, modal and mostly in the middle register. The performances come from the 1960s, 1970s and 1990s, all made after Guèbrou had become a nun because her dreams to become a full-time musician were dashed by governmental interference. She made these recordings to raise money for charities, and it’s a relief she didn’t give up on music entirely after politics derailed her dreams. Emahoy is a strange, sui generis CD.“
(Jazz Times, years ago)
„Oh, how lucky are those human beings who own this piano album. I’ve heard it once in Vienna in a second hand music store, round 2008. For reasons I don’t know at all, I didn’t buy it immediately. Then, for reasons even more strange, I forgot about it till snippets recently came back in a TV-feature about the Ethiopian „roots music“ that surely was more of a surreal hybrid culture than something created from scratch. New strange skin for an old ceremony. Now it’s a buried treasure.“
(M. E.)
„I started getting into the Éthiopiques catalogue a couple of years ago, and now I think I actually have the whole set. It’s all really great, and I really love that music. It really resonates with me: the modes and the scales that are in use and the instrumentation, the way the vocals sounds. There’s just a certain spirit to that body of music – everything from the really older stuff on traditional instruments, like on the The Harp Of King David – to the jazzier, funkier stuff, which I really love. I picked this record in particular though because it’s just really sublime. It’s this really beautiful piano record. This woman was a nun, and also an incredible pianist and composer. I don’t know if you’ve heard it, but all you have to do is listen to it. It’s that kind of thing that’s just totally universal, I just totally can’t imagine anybody not enjoying that music. Sometimes you hear music and you feel like you’ve known it forever. This was a favourite to put on when I came back from tour; it’s a great record to welcome yourself home with.“
(Greg Fox of Guardian Alien)