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Archives: Sonntag, 14. Mai 2023

2023 14 Mai

„Blue Lights“

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Blue Lights ist extrem gut im Aufbau von Spannung. Es gibt das ständige Gefühl, dass etwas sehr schief gehen wird und dass es nur eine Frage der Zeit ist, bis alles zusammenbricht. Die Action treibt die Spannung bis zu einem Punkt, an dem sie fast unerträglich ist. Belfast Hard Core Noir with real humans. Eine ehemalige Sozialarbeiterin, die zu den Cops wechselt, und es anders machen will, ohne Zynismus. Von der ersten Szene an die am meisten gefährdete Person. Nichts Hochgejazztes für die Galerie. Ein besseres Cop-Drama ist 2023 schwer vorstellbar. Hierzulande im Original zu sehen, alle sechs Folgen, auf Daily Motion, mit viel Werbung – macht auch nichts, ich kaufe mir doch keinen doofen BMW.

 

 

„That wind is from the North, I know it well;
No other breeze could have so wild a swell.
Now deep and loud it thunders round my cell,
Then faintly dies,
And softly sighs,
And moans and murmurs mournfully.
I know its language; thus it speaks to me (…)“

(Anne Bronté, The North Wind)

 


Let’s look at this music as a free-spirited romantic adventure story, for a while at least! Just putting it all into perspective, Mats Gustafsson references (in his first answer) inspirations for one of the best works of the year. Even a genius like Brian Eno once called himself a „re-packager“: but, whatever sources he found, from Erik Satie „furniture music“ to Neu!‘s „romance with repetition“, or Steve Reich‘s asynchronicities, he looked at them as starting points for different horizons, and so it goes with „Echoes“ from The Fire! Orchestra: it‘s all about metamorphosis, invention, re-invention, and new grounds. Thanks, Mats, for doing this interview „from a distance“.

 

frage 1

 

It is all still in the making, but next „Thursday Afternoon“ (the name of a stellar album, too) seems to be another starting point, in this case for „The Two Michaels“ talking on sound and vision. Via Michael45rpm (see blogroll). The premiere will be recorded around 3.00 p.m. (and „aired“ later in the evening, or Friday) with Michael 1, introducing, asking, wondering, and Michael 2 being „the radio voice from the off“. The third man (and the second in the background) is of course Mats opening some more gates to the never-ending magic of „Echoes“.

 

„The wind is in from Africa,
Last Night I couldn‘t sleep (…)

(Joni Mitchell, Carey)

 

 


„The friction between opposing elements – taking a song and throwing in whatever it’s asking for, even if it doesn’t make sense, even if it might be wrecking your original idea, or even if it might be marring the beauty of the melody – is at the bottom of all the music that we do.” (Tim Rutili, Califone)

 

Mod 1
Matthew Herbert: The Horse
Mod  2
Alva Noto: Kinder der Sonne
Dudu Tassa & Johnny Greenwood
Mod 3
Zsófia Boros: El ultimo aliento
Josephine Foster: Domestic Sphere
Mod 4
Dedalus Ensemble plays Brian Eno
Califone: Villagers
Mod 5
Craven Faults: Standers

 


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