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Archives: Mittwoch, 6. Februar 2013

2013 6 Feb.

Big Bang

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Die mit dem Älterwerden verbundenen Unannehmlichkeiten würde man allzu gerne in einer Fußnote abhandeln oder frühmorgens auf einer To-Do-Liste streichen, um den restlichen Anforderungen des Tages dann mit flexiblem Tai Chi zu begegnen. Wo die Gefahr wächst, da wüchse das Rettende ja auch, tröstete Philosoph Heidegger und wir wollen es gerne glauben. Zuspruch und Zeugenschaft findet man bei so manchem Zeitgenossen. David Bowie etwa fragte gerade altersweise: „Where are we now?“ – und auf sein neues Album, das am elften März erscheint, darf man sich freuen, auch weil dort Gitarrist David Torn seine Finger im Spiel hat. David Sylvian sang auf Manafon die Zeilen: „Its not just the boredom, its something endemic – its the fear of disorder, stretched to its limits.“ Wo Utopia war, wird Entropia? Schöne Aussichten! Zur bevorzugten Literatur dieses Themas zählen Jean Amerys Über das Altern – Revolte und Resignation, ferner Der Knacks von Roger Willemsen und Silvia Bovenschens Älterwerden. Soeben von einem Zahnarzt kommend, der mir langfristig keine guten Aussichten prognostiziert, halte ich in der linken Hand deren Buch, in der rechten ein Kühlpack, und lese:

 

„Jetzt, 2005, habe ich die Vorstufe zu Big Bang erreicht. Ich bin permanent beim Zahnarzt. Auf dem zurückgekippten Stuhl (…) denke ich an eine Geschichte, die mir meine Freundin (…) vor Jahren erzählte. Sie handelte von einem Mann, der sich erschiessen wollte, weil ihn die tägliche Zahnputzprozedur so langweilte. Das hatte mir sofort eingeleuchtet. Daher komme ich jetzt zu dem absurd tröstlichen Schluß: Je weniger echte Zähne du haben wirst, desto kürzer wird diese Prozedur dauern. Dann aber fällt mir ein, dass für Jean Amery, in seinen angenehm unbeschwichtigenden Ausführungen zum Älterwerden, allein die Aussicht auf einen partiellen Zahnersatz die Altersniederlage einläutete.“

2013 6 Feb.

Kleiner Nachtrag zu Butch

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There are a lot of lovely witness stories on Butch. Here’s one by Linda Cooper, friend of mine. Linda knew Butch from the very early days. She took this picture which tells something which is behind or hidden in all the stories told.
 
 
LINDA_ButchMorris
 
 
“Butch was a prince in NYC, especially in the east village. His charisma, personality, generosity – a very likeable guy – who had the talent and conviction that what he was doing would be the future of music. He developed a new musical vocabulary. And many people know he was onto something. Thanks to the almost 200 conductions he left us we will all be able to listen to this treasure chest of music … but we will no longer be witness to the unpredictability of a live conduction. Alas!” Linda Cooper

 

I met Butch for the last time last september in Norway. On a boat trip. We walked uphill. Assisting him happened in a beautiful natural way. He listened gently and attentively. He wouldn’t say so much but just be. We talked about the orchestration of human talk.

(I developed an approach for (second) language learning inspired by principles of conduction which opens up lots of joyful, creative possibilities)

 

You can also listen to Kurt Gottschalk’s WMFU radio feature The Long Goodbye (in memory of Lawrence D. „Butch“ Morris) – accessible on demand HERE.

 

And you can read what Greg Tate wrote. Tate, author-essayist (Flyboy in the Buttermilk: Essays on Contemporary America) as well as guitarist-leader of the Butch Morris “conductioned” band Burnt Sugar the Arkestra Chamber, looked for his evidently unpublished liner notes to the planned 25th anniversary reissue on CD of Morris’ Conduction #1, Racism in Modern America, a work in Progress. He couldn’t find them. Tate emailed : “hey man those notes are lost in the clouds over here but the 1997 VIBE article I did on Butch could be copacetic. . .” So here that is, in Google Books so a bit hard to navigate, but on page 60 if you loose your place.

Tate’s notes to Morris Conduction #1 lost, find his Vibe article HERE.
(all via JAZZBEYONDJAZZ, website of Howard Mandel)

 

Poet/playwright/critic Allan Graubard has been a close friend and collaborator with Butch Morris, writing notes for Testament: A Conduction Collection as well as their theater work, “Modette,” and the liner notes intended for the 25th anniversary re-issue of Conduction #1, Current Trends in Racism in Modern America, A Work in Progress. Graubard also was working in the months preceding Butch’s death January 29 to complete his book about conduction. Find his liner-notes HERE!

 

And, last but not least find Howard Mandel’s notes on that work of Butch HERE!


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