Manafonistas

on life, music etc beyond mainstream

2019 29 Apr

ECM in the Seventies and Eighties

von: ijb Abgelegt unter: Blog | TB | Tags:  1 Kommentar

 

Good morning,

 

here is another short portrait of an ECM-related photographer from the past, filmed in Nürnberg last year,

 
 
 

 
 
 

as well as a nice portrait of composer Gavin Bryars, which I filmed in the Midlands a couple of weeks ago.

 
 
 

 

Dieser Beitrag wurde geschrieben am Montag, 29. April 2019 und wurde abgelegt unter "Blog". Du kannst die Kommentare verfolgen mit RSS 2.0. Du kannst hier einen Kommentar hinterlassen. Pingen ist zur Zeit nicht erlaubt.

1 Kommentar

  1. Michael Engelbrecht:

    Great.

    For someone who has lived with ECM music from school days onwards, it‘s nice to see how those covers often work as a passage to the sounds „within“. Not only as classical conditioning Pawlow-style😉. Some of the covers somehow add a painting to the moments in which the music itself promotes imagery of a peculiar kind. „Danca das Cabecas“ springs to mind immediately.

    I remember meeting Gavin Bryars twice. At the ECM HQ, and in the Polygram/Polydor building at exactly that week, where the XXXXL cover of LAUGHING STOCK had been circling on top of the high building. And we talked a lot about AFTER THE REQUIEM – and how Gavin overcame a light form of flight anxiety by constantly listening to one track of Bill Frisell‘s early / first (?) ECM album IN LINE.

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