Manafonistas

on life, music etc beyond mainstream

2015 3 Jul

Jazz Mentalities … (1) Good Practice

von: Henning Bolte Filed under: Blog | TB | Comments off

Characteristics
 
  • strong interregional cooperation/intensive interregional exchange of musicians

  • a focus on young up-and-coming talent/groups

  • offering residential space for musicians to meet and collaborate
 
 
Festivals
 
  • Ljubljana Jazz Festival in Slovenia – [2012], [2014]

  • Wroclaw’s Jazztopad Festival in Poland – [2014a], [2014b]

  • 12 Points Festival in Dublin, Ireland – [2014], [2015]

  • Match & Fuse (London/Warsaw) – [2013], [2015]

  • French festival Jazzdor in Berlin, Germany – [2013], [2015]
 
 
Wroclaw Jazztopad commissions
 
  • 2008 Piotr Damasiewicz

  • 2009 Terje Rypdal, Kenny Wheeler

  • 2010 John Surman. Nikola Kołodziejczyk

  • 2011 Fred Hersch, Uri Caine

  • 2012 Heo Yoon-Jeong/Aram Lee/ Oleś Brothers, Benoit Delbecq

  • 2013 William Parker, Tony Malaby, Charles Lloyd

  • 2014 Wadada Leo Smith, Erik Friedlander, Nate Wooley
 
 
12 Points participants
 
When we look at the participants of 12 Points throughout the years, we notice the earlier mentioned, well-known names of Susana Santos Silva, De Beren Gieren, and Kaja Draksler, as well as meanwhile well-known and (highly) successful musicians and groups such as

  • Albatrosh, Nikolas Anadilis, Donkey Monkey, Giovanni Guidi, Pablo Held, Hildegard Lernt
  Fliegen, Puma, Maciej Obara, Emile Parisien, Phronesis, Pixel, Aki Rissanen, Colin Vallon,
  World Service Project
 
 
Essential components: ten characteristics that can reinforce each other
 
  • 1. Co-programming

  • 2. Interregional collaboration/exchange

  • 3. Commissions

  • 4. Residencies

  • 5. Laboratories/young generation focus

  • 6. Showcasing

  • 7. Audience participation/urban immersion

  • 8. Education/media work

  • 9. Cultural contextualization

  • 10.Interdisciplinarity
 

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