on life, music etc beyond mainstream

2016 12 Aug

Brian Eno: Oblique Music (out now at Bloomsbury)

von: Manafonistas Filed under: Blog | TB | 2 Comments

Introduction: Brian Eno: A problem of organization – David Pattie and Sean Albiez
PART ONE – Eno: Composer, musician and theorist
1 The Bogus Men: Eno, Ferry and Roxy Music – David Pattie

2 Brian Eno, non- musicianship and the experimental tradition – Cecilia Sun

3 Taking the studio by strategy- David Pattie

4 Between the avant- garde and the popular: The discursive economy of Brian Eno’s musical practices – Chris Atton

5 Yes, but is it music? Brian Eno and the definition of ambient music – Mark Edward Achtermann

6 The Lovely Bones: Music from beyond – Hillegonda C. Rietveld

7 The voice and/of Brian Eno – Sean Albiez
PART TWO – The University of Eno: Production and collaborations
8 Before and after Eno: Situating ‚The Recording Studio as Compositional Tool‘ – Sean Albiez and Ruth Dockwray

9 Control and surrender: Eno remixed – collaboration and Oblique Strategies – Kingsley Marshall and Rupert Loydell

10 Avant-gardism, ‚Africa‘ and appropriation in My Life in the Bush of Ghosts – Elizabeth Ann Lindau

11 Eno and Devo – Jonathan Stewart

12 Another Green World? Eno, Ireland and U2 – Noel McLaughlin

13 Documenting no wave: Brian Eno as urban ethnographer – Martin James


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  1. Michael Engelbrecht:

    Als das DEVO-Album rauskam, das Brian Eno produziert hat, dachten viele, wow, der Eno-Faktor. Brian erzählte entweder jemand anderem oder mir später einmal, das nie sein Einfluss so gering war wie bei der Produktion jenes Devo-Albums. Die Band, oder der Bandleader, hätten absolut klare, unzweideutige Vorstellungen gehabt von dem, was sie wollten. Ob es eine neue Lesart gibt?

  2. Michael Engelbrecht:

    Photo taken inside Eno’s studio

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