Manafonistas

on life, music etc beyond mainstream

2016 30 Mai

Letter from Mono

von: Manafonistas Abgelegt unter: Blog | TB | 2 Kommentare

Edmund de Waal is a potter. His pots, plates, and vessels are the result of craft and mastership, but they are also so much more than that: they are experiments in form and function, abstractions of thoughts on silence and space, on repetition and failure, on substance and fragility, on memory contained.

Edmund de Waal is an artist. He arranges his objects in complex choreographies that are as mysterious as they are mesmerizing. Displayed in galleries and institutions worldwide, his considered installations play with architectural concerns, integrating ideas of space, light and obscurity.

Edmund de Waal is a writer. In 2010, his intimate memoir of a kind, The Hare With Amber Eyes, intertwined the biography of a collection of netsuke figures with the biography of his family and became a surprise bestseller, winning several awards. His latest book, The White Road, presents a highly personal and engaging research into the history of porcelain.

Whether he sculpts with words or with clay, what Edmund de Waal works with are concepts, ideas, and desires. In a body of work that is at odds with our times and yet oddly successful, his writings and objects overlap and integrate each other in an attempt to understand and transcend our complex relationship with objects and our surroundings.

In an interview with mono.kultur structured like an A-Z of notes and ideas, Edmund de Waal talked about his rules of attachment, the impossibility of repetition, and why „doubt“ is the most beautiful word.

Visually, the issue takes inspiration from that most perfect of materials: porcelain. Printed entirely in double-sided splendour, the two finishings of the paper – shiny gloss and smooth matt – evoke the texture of ceramics before and after glazing.

All in all, a wonderfully white and considered issue for our next decade and available as usual through our online store mono.konsum or, at the trusted book dealer of your choice very soon indeed.

 
Enjoy and all our best,

mono.kultur

Dieser Beitrag wurde geschrieben am Montag, 30. Mai 2016 und wurde abgelegt unter "Blog". Du kannst die Kommentare verfolgen mit RSS 2.0. Kommentare und Pings sind zur Zeit geschlossen.

2 Kommentare

  1. Lajla Nizinski:

    Wenn man das elterliche Porzellan geerbt hat, ist man dankbar, aber gesteht sich insgeheim ein, dass man doch lieber eine Bauhaus Vase hätte oder eine dieser wunderbaren Teekannen. Ich habe eine Vorliebe für Meissner Porzellan.

    Vor kurzem entdeckte ich auf einem Markt in Friedrichshain eine Teetasse, die ich dieser feinen Porzellanmanufaktur zuordnete, allein es fehlten die beiden Kurschwerter. Ich fragte den Anbieter nach der Herkunft, er wusste es nicht.

    Edmund de Vaal ist sehr interessant. Seine „Pötte“ haben einfache Bauhausformen. Was er alles mit ihnen macht, ist phänomenal. Ich werde mir „The White Road“ ordern.

    Danke für den Tipp.

  2. Michael Engelbrecht:

    The Eno of the potters :)


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