on life, music etc beyond mainstream

2015 3 Jul


von: Manafonistas Filed under: Blog | TB | 3 Comments

another classic, never lost … „Location is everything. When Willie Nelson and album producer Daniel Lanois set out to create a cinematic-sounding album, Teatro, they took over  disused movie theatre in Oxnard, California, and pictured its dusty glory On the LP sleeve. Recorded as-live in situ amid the red velvet seats, Teatro sees Nelson working extensively with his frequent collaborator Emmylou Harris, who joins him for duets and on backing vocals on 11 of the 14 tracks. The other major player is Lanois who produces the album, plays guitar and bass, took the cover photo and wrote one of the album’s songs, ‚The Maker,‘ a stunning performance with glacier-thick vibe. Reinvention is key on Teatro, with Nelson revisiting a number of songs he first wrote in the 1960s, including 1968’s ‚I Just Can’t Let You Say Goodbye‘ and 1962’s ‚I’ve Just Destroyed the World‘ and ‚Three Days.‘ Though the songs are familiar, the sounds aren’t: Teatro found Nelson experimenting with rhythms and flavors as never before, from the Spanish-influenced ‚Darkness on the Face of the Earth‘ to the double-drum-kit percussive groove of ‚My Own Peculiar Way.‘ Accompanied by a nine-piece band that included Nelson’s sister, Bobbie Nelson, and Brad Mehldau on piano, the group conjure up an atmosphere informed by the howling harmonicas and distant mariachi bands of spaghetti western soundtracks, the end result being a Willie Nelson album quite unlike any other in his career, and one that reveals it widescreen vision through arresting sonic imagery. Originally released by Island Record in 1998, Teatro is issued here as it’s never been seen before — on vinyl. Pressed on gold vinyl with a deluxe, gatefold, ‚tip-on‘ uncoated jacket, this is a chance to own this unique album in its most beautifully presented form.“

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  1. Uwe Meilchen:

    And „The Montanto Years“, the new NEIL YOUNG record was recorded at Teatro, too.

  2. Michael Engelbrecht:

    You see, no power spot per se :)

  3. Jan Reetze:

    By the way, Daniel Lanois‘ autobiography (Soul Mining; Faber & Faber 2010) has a whole chapter about the making of this album and how Wim Wenders became involved into it. Lanois says it’s one of his favorite productions. I think it’s one of these records you have to listen to a couple of times before you really get what’s going on there.

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