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Archives: November 2013

MARSEN JULES
Beautyfear
CD Oktaf 07
Release date: January 27
Vertrieb: Kompakt

oktaf.com
marsenjules.de

File under: Neo-Classical | Modern Ambient | Soundpoetry

With „Beautyfear“ on Oktaf Records the German electronic musician Marsen Jules (CCO, 12K, Kompakt) delivers one of his most outstanding albums so far. Mastered by no one else than 12K-labelboss Taylor Deupree and with a coverpicture taken by the highly acclaimed photographer Erik Madigan Heck from NYC, the best conditions are laid for a lasting experience of abstract musical poetry and touching soundscapeism. Jules has never been this dense, subtile and fragile before. All twelve tracks on „Beautyfear“ were created during a week stay in a theatre workspace on one of the hills of Lisbon. The panoramic view over the dusty city in spring seemed to have been the perfect surrounding for this cloudy soundscapes, which at some points remind of Angelo Bandalamentis‘ work for David Lynch‘s „Mullholland Drive“. „It‘s an album on the fragility of beauty“, as Jules describes briefly. Music that can neither be described as ambient music or experimental sound art, but more likely delivers a poetic approach to music, live and sound itself. With „Beautyfear“ Marsen Jules makes a great start into 2014 and with the already announced cooperation with Swedish filmmaker Anders Weberg and an upcoming release of his works from a residence at the legendary GRM studios in Paris, one should definitely keep an eye on what is coming next.

… Fitzgerald und ihrem Cole Porter-Songbook fand ich noch ein paar Stunden Schlaf und bin dann zum besten Plattenladen von Köln aufgebrochen, und habe bei A-Musik zugeschlagen (einiges davon könnte es nächste Woche in den Klanghorizonten zu hören geben).

Mika Vainio: Kilo

Loderbauer: Transparenz

Heron: Twice As Nice

Basho: Visions of the Country

V.A. – Studio One Ska Fever

Neben meiner Zeitreise in die edle Glitzerwelt des alten Jazz mit all seinen verborgenen Dunkelheiten des alltäglichen Rassismus in den USA anno 1956 spielte in meinem Auto eine eigenwillig-raue, harsch-melodische berörende Musik, Tim Heckers Virgins. Vom guten alten Label Kranky Records. Höllisch gut!

 
 

 


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